MIAMI WILL BE ONE OF ONLY THREE U.S. CITIES TO HOST “ART AFTER STONEWALL 1969 ─ 1989”

Honoring the 50th Anniversary of the Stonewall Uprisings

Diana Davies, Untitled (Marsha P. Johnson Hands Out Flyers for Support of Gay Students at N.Y.U.),

c. 1970. Digital print. Photo by Diana Davies / © The New York Public Library/Art Resource, NY

The show will headline Miami’s Art Basel in December: when the global spotlight shines on this city for one of the world’s leading art fairs, attracting 70,000+ collectors, cultural leaders, artists and media influencers from around the world, and will remain on view through January 5.

The groundbreaking exhibition is the first national museum show of its kind to survey the impact of the LGBTQ civil rights movement on visual culture, during the pivotal two decades after the Stonewall Riots, as the first Pride marches took flight ― a bold visual history of twenty years in American queer life.

The exhibition presents the work of openly LGBTQ artists alongside other artists who also engaged with the emerging queer subcultures, between 1969 and 1989. The Stonewall Riots are considered a historic flash-point for the LGBTQ movement, and the first two decades of art-making that immediately followed the uprising have never been explored this way before.

Greg Day, Stephen Varble at the 12th Annual Avant-Garde Festival, 1975/2018. Digital print. Copyright and courtesy of the artist

This 20-year period blazed with new creativity from these communities. These artists cleared a path through uncharted cultural territories, across intersections of avant-garde art worlds, radical political movements, and profound social change.

The list of trailblazing artists includes:

Vito Acconci, Laura Aguilar, Diane Arbus, Lyle Ashton Harris, Judith F. Baca, Don Bachardy, Lynda Benglis, JEB (Joan E. Biren), Louise Bourgeois, Judy Chicago, Arch Connelly, Tee A. Corinne, Luis Cruz Azaceta, Karen Finley, Louise Fishman, Nan Goldin, Michela Griffo, Sunil Gupta, Barbara Hammer, Harmony Hammond, Keith Haring, David Hockney, Peter Hujar, Holly Hughes, Tseng Kwong Chi, Greer Lankton, Annie Leibovitz, Christopher Makos, Robert Mapplethorpe, Frank Moore, Alice Neel, Catherine Opie, Jack Pierson, Marlon T. Riggs, Jack Smith, Joan Snyder, Carmelita Tropicana, Andy Warhol, and David Wojnarowicz, among others.

Although much has been written on the impact of the LGBTQ movement on American society, fifty years after Stonewall many key artists are still relatively unknown and are brought to light.

Ann Patricia Meredith, Lesbian Physique, Gay Games II / Triumph in ’86 San Francisco, CA, 1986,

from the series A Different Drummer, 1970-1990, silver gelatin print

The museum is part of Florida International University, home to one of the country’s most diverse student populations. Focusing on inclusiveness towards the entire spectrum of the LGBTQ communities, the museum is partnering during the run of the exhibition with Unity Coalition | Coalición Unida, recognized as one of the nation’s leading organizations of its kind, especially for its cutting-edge programs for Latinx, Hispanic and people of color who are LGBTQ, and for spearheading innovative cultural initiatives for the Transgender, gender non-conforming, queer, millennial and centennial communities.

Unity Coalition | Coalición Unida will integrate its programming with the museum’s exhibition, during its 9th annual Celebrate ORGULLO Festival, Miami’s premier Hispanic LGBTQ Pride Festival offered every October. As part of this festival, the museum will host on-site one of Miami’s most highly anticipated LGBTQ events of the year: the October 12th annual Gala benefiting Unity Coalition | Coalición Unida.

Rob Hugh Rosen, Sylvester as Lady Day (#1), 1970, silver gelatin print

The Miami Connections in Art After Stonewall

Some of the artists included in Art After Stonewall lived in Miami and created art here between 1969-1989, including Felix Gonzalez-Torres and Martin Kreloff. The work by Gonzalez-Torres also confronted the AIDS crisis: a haunting billboard created by the artist in 1989 that ran for six months above the site of the Stonewall, informing viewers along NY’s busy Seventh Avenue about the need for activism.

Keith Haring, October 20, 1985, acrylic on canvas tarp

The work by Kreloff featured in the show is the poster for the very first White Party fundraiser for AIDS, held in Miami in 1985.

The history-making idea for the White Party AIDS fundraiser was hatched by Kreloff and friends in Miami, and became an inspiration for communities nationwide to raise much-needed funds to help those suffering from the epidemic.

Martin Kreloff, Journey to Romance: A White Party at Vizcaya, 1985, acrylic and colored pencil    

During Pride month and leading up to the opening of the exhibition in September, art by LGBTQ artists is currently on view at the museum and in the university’s public art program. This includes an installation by Carlos Alfonzo and a sculpture by Pepe Mar, on view now at the museum.

On campus, the university features a major public art installation by Carlos Alfonzo. Considered one of Alfonzo’s most monumental works, his large-scale ceramic tile mural is one of his final works (created in 1991, the year he died). The museum will feature interactive iPads during the run of the Miami showing of Art After Stonewall, presenting artwork by several artists based in Miami and archival materials.

The museum is also working closely to integrate the exhibition with FIU’s LGBTQA Initiatives. The on-campus group promotes educational, social, and resource programs and services to meet the needs of FIU’s LGBTQ students.

More About the Exhibition

The exhibition was organized by the Columbus Museum of Art. The show was curated by the artist and art historian Jonathan Weinberg, with Tyler Cann and Drew Sawyer.

This exhibition is currently on view in New York, at two venues in Manhattan: at NYU’s Grey Art Gallery (until July 20), and at the Leslie-Lohman Museum (until July 21). Then the exhibition travels to Miami for Art Basel season, at the Frost Art Museum FIU (Sept. 14, 2019 – Jan. 5, 2020). The show will then travel to the Columbus Museum of Art (March 6 – May 31, 2020).

At the national level, major support for the exhibition is provided by: The Andy Warhol Foundation for the Visual Arts and the Keith Haring Foundation, Inc. Additional support provided by Jeff Chaddock & Mark Morrow; Envisage Wealth; Tom W. Davis; Equitas Health; Prizm; Lynn Greer & Stevie Walton & the Women’s Collective; John & Michaella Havens and Parker Havens & Dean Panik, in honor of Barbara Havens; D. Scott Owens & Kevin Kowalski; Harlan Robins & Shawn Shear; Dickinson Wright PLLC; and John L. Wirchanski. The show is accompanied by a 300-page catalogue with essays by more than 20 established and emerging scholars as well as entries by artists, including FIU’s very own Alpesh Patel.

(above, left-to-right) Lola Flash, AIDS quilt, 1987, dye-infused pigment print on coated aluminum, copyright and courtesy of the artist; Gran Fury, The Government has Blood on its Hands, 1988, poster/offset lithograph.

Cathy Cade, Christopher Street West, LA: None of Us is Free Until All of Us are Free,

1972, digital print, copyright and courtesy of the artist